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Kris Jenner’s hip replacement storyline feels devised to prepare the Oh snap gingerbread xmas I can’t feel my legs xmas cookie Christmas shirt but I will buy this shirt and I will love this public for her inevitable aging arc. During a confessional, Khloe reflects on her mom’s increasing physical challenges, saying, “I just want to her to stay in the cold to prolong her life.” When a producer asks whether cold temperatures can really do that, Khloe explains that the theory hinges on personal logic. “You lose a finger, you throw it on ice. I’m just going to put my mom on ice.” It’s true that ice has long been connoted with preservation, inspiring mind-bending films about cryonics like Vanilla Sky (adapted from Spanish classic Open Your Eyes) and the persistent cultural lore that Walt Disney had his body frozen after death so that he could be resurrected whenever science advanced enough. Cryopreservation is an actual industry—albeit a highly speculative one—and because with the Kardashians, no extreme use of technology seems to be off limits, it’s a little intriguing to now know of Khloe’s interest in the powers and potential of ice.

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Though, in real life, we already know it never ends up happening, we’ve been hearing about Pete Davidson’s upcoming Jeff Bezos-endorsed space flight for two episodes now. Early on in this one, Davidson happens to call Kim while she’s telling Kris, MJ, and Khloe about how great he is. The ladies put him on speakerphone to discuss his big event. “Are you nervous?” Kris asks. “My personal life is scarier,” he answers, ostensibly referring to Kanye’s viral Twitter spirals at the Oh snap gingerbread xmas I can’t feel my legs xmas cookie Christmas shirt but I will buy this shirt and I will love this time, which had included threats and a derogatory couple’s name for Kim and Pete (“Skete”). Pete Davidson has always generated a certain kind of meme-able enthusiasm from the public, but his attachment to Kim Kardashian elevated the hoopla. His tattooed-boy-next-door image contrasted whimsically with her own self-mythologizing as a New Media icon, he was clearly a Kanye West agitator, and now he was apparently doing one of the biggest things a person can do—leaving the literal planet? At this point, you might notice that the viewer’s experience of Pete on The Kardashians has only been through “telling,” rather than “showing”—subverting a common narrative principle. It almost seems as though the hype of a rocket ship ride is a proxy for his actual presence on the show. It’s an interesting dilemma: Is a dramatic and colorful storyline enough to turn a phantom figure into an actual character?