Just knowing that you’re not alone in this journey. Someone might say something that rubs you the Skeleton gorillaz shirt in contrast I will get this wrong way, and they might not be intentionally trying to fuck with you, and you’ve got to just remember, Right, I’m gonna stay in peace, I’m gonna stay on course. Just having those kinds of mantras. Everything is available to help you stay on the path. Or everything is available and used to knock you off the path. It’s a choice. Joyful vigilance. We’re 20 years on from when Topdog/Underdog first hit Broadway. How does the play get the audience to dig in in a different way now?
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How did it get the Skeleton gorillaz shirt in contrast I will get this audience to dig in 20 years ago? They’d never seen it before, they’d never heard of it, and it was saying, like, This is some real shit. When I write, I don’t have a plan. I receive, I work very hard on the text and the production, and I see what it is. I discover what it is as we’re creating it—not so much the text, but the event of it. What was it then? People have told me it showed a lot of people who come to theater how art can be. It’s not proper; it’s real. It bursts through the way that theater says it needs to be. Twenty years ago, I wasn’t saying wake up to the love. Now I can look at the play and say, Wake up to the love.